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Frequency Response Mic/Line input to any output …………….20Hz to 20kHz +/-0.5dB
THD & Noise …………………………………………………………………………<0.007% -30dBu Input routed to Mix, Mic gain 30dB
Mic Input EIN 22Hz-22kHz unweighted…………………..-128dBu (150Ω source)
Bus Noise Measured RMS, 20Hz to 20kHz Bandwidth Line inputs selected at unity gain and terminated 150Ω Mix Mix at Max, Faders down…………………………………………<-85dBu Crosstalk Channel Mute………………………………………………………….>96dB typically @1kHz Fader cut-off (rel +10 mark) ………………………………………>96dB Aux Send pot offness………………………………………………..>86dB
Input & Output Microphone Input …………………………………………………….2.4kΩ Impedances Line Input……………………………………………………………….. 11kΩ Stereo Input …………………………………………………………..100kΩ Outputs …………………………………………………………………….75Ω
Input & Output Mic/Line input Maximum Level …………………………………+17dBu Levels Line input Maximum Level………………………………………..+30dBu Stereo Input Maximum Level…………………………………….+30dBu Mix Output Maximum level……………………………………….+20dBu Headphones (at 200Ω) ………………………………………….300mW
EQ (Mono Input) HF …………………………………………………. 12kHz, ±15dB, shelving Mid …………………………………….. 150Hz – 3.5kHz, ±15dB, Q=1.5 LF…………………………………………………….60Hz, ±15dB, shelving
Metering ……………………. 12-segment LED bargraphs for Mix L&R outputs
Operating conditions Temperature Range……………………………………..-10ºC to +30ºC Relative Humidity………………………………………………. 0% to 80%
Power Supply Integral lightweight switched-mode PSU AC mains supply ……………………………….. 85V-270V AC, 50/60Hz universal input Power consumption ………………………………………………………………… Less than 20W Dimensions EPM6 ……. 280mm(11”)W, 90.5mm(3.56”)H, 362mm(14.25”)D EMP8 ……. 330mm(13”)W, 90.5mm(3.56”)H, 362mm(14.25”)D EMP12….. 432mm(17”)W, 90.5mm(3.56”)H, 362mm(14.25”)D Weight EPM6 5kg(11.02lbs), EPM8 5.6kgs(12.34lbs), EPM12 6.7kgs(14.77lbs)
Soundcraft EPM6
| Day | £20 + VAT |
| Week | £40 + VAT |
Quote: £ 20.00 + VAT
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range.
Recommmended for: Houses of WorshipMusic VenuesMusicians & BandsTheatres
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company’s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Features
Frame sizes 6+2, 8+2 and 12+2
2 configurable auxiliary buses
XLR-type and ¼” metal jack connector sockets
RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs
2-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs and mix output
Ten-segment LED output metering
Intuitive and comprehensive solo system
Headphone output
Easily rack mountable
The Soundcraft EPM will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.
£20.00